Dec 31, 2017 · Federico Fellini's La Strada (translated “the road”) is a parable about the journey of life in an extraordinary rawness that explores basic ...
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Jun 2, 2023 · Fellini's Neorealism in 'La Strada' can be seen in the character of Gelsomina and her genuine portrayal of the human spirit. The scene where ...
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May 13, 2018 · What I find particularly striking is that Gelsomina (and her poor artichoke face) is not a woman of many words, and the more she discovers the ...
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Jan 14, 1994 · A deceptively simple and poetic parable, Federico Fellini's "La Strada" was the focus of a critical debate when it premiered in 1954 simply ...
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La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano.
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Dec 3, 2013 · La Strada still holds many principal aesthetic tendencies of neorealism from the use of nonactors, to on-site locations, use of realistic ...
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La Strada is a film with a "neorealist" core. The ravaged countryside, the long, lonely vistas of fields, the sea, and the faces of poverty belong in large part ...
La Strada is not a “true” neorealist film. It does not feature unprofessional actors plucked off of the street, the shots and camera angles adhere to a more ...
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La Strada movie review & film summary (1994) | Roger Ebert
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Apr 1, 1994 · The movie is the bridge between the postwar Italian neorealism which shaped Fellini, and the fanciful autobiographical extravaganzas which ...
La Strada was already the quest for the moment ... itself as object (the search for ancestors in Le regne du jour), some- ... mobile disjunctive function between ...